See the structure rendered
Sample output
Real renders that follow the prompt structure below. Currently Seedance 2.0 samples — the directing decisions are version-agnostic and each clip is badged with its source.
Copy the structure, not just the words
Twelve directed examples with a visible action, a motivated camera, and an ending you can judge.
See the structure rendered
Real renders that follow the prompt structure below. Currently Seedance 2.0 samples — the directing decisions are version-agnostic and each clip is badged with its source.
A brushed-steel watch rests on dark slate as a narrow ribbon of light travels across the dial. Slow clockwise orbit at table height, ending on the crown and engraved case edge. Controlled studio reflections, deep charcoal background. Audio: faint mechanism tick and one soft metal touch.
A barista pours a thin spiral of steamed milk into a ceramic cup. Overhead camera holds steady, then lowers into a close side detail as the rosette finishes. Morning café light, visible steam. Audio: milk stream, cup contact, quiet room tone. End on the completed pattern.
A tired commuter looks up as an empty night bus arrives through rain. Camera tracks backward from inside the shelter, keeping her reflection aligned with the bus headlights. Sodium streetlights, wet asphalt, restrained urban drama. End as the doors open and warm interior light reaches her face.
A field researcher raises a radio antenna on a windswept salt flat. Wide static frame becomes a slow push-in as the radio light changes from red to green. Heat haze, pale sky, clothing reacting to wind. Audio: dry wind, radio static, one clear confirmation tone.
An elderly tailor threads a needle, pulls the thread taut, and smiles at the finished seam. Gentle handheld close-up moving from hands to face. North-facing window light, worn wood table, natural documentary texture. End with both hands resting beside the garment.
A cyclist tightens her helmet strap, checks the mirror, and rolls forward. Low side tracking shot matching the bicycle speed. Cool predawn street with shop lights switching on. Preserve face, jacket, bicycle geometry, and direction of travel.
Vertical 9:16 shot. Three ingredients land one by one on a clean counter: lemon, mint, sparkling water. Fast overhead cuts simulated as crisp snap movements, then settle on the finished glass. Bright kitchen daylight. Keep labels out of frame and leave clear upper space for captions.
Vertical room makeover reveal. Start close on a hand pulling a linen curtain; camera arcs with the fabric to reveal the redesigned reading corner. Sunlight spreads across the floor, plant leaves move gently. End on a clean wide frame with lower-third text space.
Keep the subject's face, hairstyle, clothing, and background composition unchanged. She takes one slow breath and turns her eyes toward the window without moving her head. Almost-static camera with a subtle push-in. Curtain and loose hair respond lightly to a breeze.
Preserve the mountain silhouette and cabin position from the reference. Slow forward drift above the grass toward the cabin. Foreground grass bends in uneven wind, thin smoke rises from the chimney, cloud shadow moves across the slope. No new buildings or paths.
A hand bends the running shoe at the forefoot and releases it onto a white platform. Side macro shot tracks the flex point, then pulls back to show the full silhouette. Soft top light reveals material texture. End with the shoe motionless and centered.
A student slides a forgotten envelope from between two library books and turns it over. Camera peers through the shelf, then gently racks focus from book spines to the handwritten name. Dust in warm desk-lamp light. Audio: paper scrape, distant clock, held breath.
Change the subject and action first, then check whether the camera still serves the new action. A slow orbit makes sense for a static product but may fight a fast walking subject. Keep the structural roles intact: the camera sentence controls framing, the atmosphere sentence creates physical movement, and the ending sentence defines success.
Do not paste every example into one prompt. Combining unrelated scenes, styles, and camera moves usually creates ambiguity rather than richness. If you need a sequence, write separate beats and give each one a single dominant event. For a guided first attempt, follow the step-by-step tutorial; to compose from scratch, use the prompt builder.